Harlem Week kicks off 40th Anniversary at the New York Philharmonic

The 40^th Anniversary of Harlem Week was launched on June 25th with a reception in Avery Fisher Hall at the Lincoln Center for the Performing Arts. It was an evening of celebration, awards and thrilling announcements for the summer, followed by the breathtaking Beethoven Piano Concertos at the New York Philharmonic.

Hundreds of Harlemites joined the Harlem Chamber of Commerce and co-host the New York Philharmonic to launch the beginning of this dynamic partnership of two NY cultural institutions.  This partnership will add a new element and layer to Harlem Week’s events such as the involvement of Philharmonic Teaching Artists sharing expertise at the Harlem Week’s Children Festival this August.

The evening began with a lively mix and mingle and a welcome from the New York Philharmonic.  HARLEM WEEK, Inc.  Chairman Lloyd Williams, and Vice Chairman  Voza Rivers co-hosted the awards ceremony. Honorees included: New York Amsterdam News (founded in 1909) and one of HARLEM WEEK’S original co-founders and sponsors;  celebrated Broadway star and six time TONY award winner Audra McDonald; and Apple Bank for Savings, founded in 1863, and one of HARLEM WEEK’S first sponsors. 

Following the awards ceremony Mr. Williams revealed plans the for the first annual Harlem Music Fest (HMF) that will launch this summer and will celebrate the music, dance and theatrical events of the ever-expanding Harlem arts scene. HMF will be a 4-week music festival that will begin in July and continue through August. Partners include Harlem Summer Stage, New York Amsterdam News, The New York Daily News, The New York Beacon, WBLS-FM/WLIB-AM/Hot 97-FM, JazzMobile, the Harlem Arts Alliance, Abyssinian Jazz Vespers, and Dance Theatre of Harlem to name a few.  

It was a vibrant evening, the community paid tribute to history makers including a special music presentation by OBIE award winning actor/playwright Daniel Beaty as Paul Robeson in tribute to Billie Holiday (Audra McDonald), as well as Maya Angelou, Ruby Dee, dedicated Harlem Week partners and the community members of Harlem who have made this 40^th anniversary possible.

New Heritage Theatre Group and its partners look forward to all the exciting plans and events that will unfold this summer as we commemorate this milestone for Harlem. 

Two Afternoons in Harlem

"A Good News Report"

The newspapers daily recount the number of shootings taking place in urban America by black and Latino youth.  The television commentators and radio announcers cover these glaring statistics like clockwork churning out a dismal picture for us all. Each day I listen and read the papers and get weary.  I long for headlines that extol the virtues of young people of color doing wonderful things.  I wait for the day when I can watch television and see the highlights of our achievements that I know occur on a daily basis.  It is an imperative that we witness and share young people’s daily contributions to our society—right where they live, work and attend school. 

Over two weekends I attended two exceptional programs that shine a ray of hope on what otherwise could be a bleak reality. These two organizations support, engage and highlight the value and strength of our young people.

The NAACP held a great debate between the historic black college, Howard University and the prestigious Columbia University. This debate between two venerable institutions squared off in central Harlem at the First Corinthians Baptist Church. When my friend Geoff Eaton, President of the mid-Manhattan NAACP and senior staff member to Congressman Charles B. Rangel initially informed me about the debate, I was intrigued. This special programming, I was told, was created by the National NAACP based on the 2008 film, The Great Debaters, directed by and starring Denzel Washington and produced by Oprah Winfrey.  If you’ve never seen it, I highly recommend it. The film is based on an article written about the Wiley College debate team in Texas; an historic black college that during the 1930’s James Farmer, who at that time was only 14 years old, was a prominent member.  (James Farmer, by the way, later co-founded the Congress of Racial Equality.)  The Wiley debate team became well known when it took on and won the debate over the reigning debate champions from the University of Southern California.

I was excited and curious to see how the tradition of debating would be received in our village of Harlem.  As I entered the sanctuary of First Corinthians Baptist Church, I was unable to find a seat in the orchestra because the main level of the church was filled to capacity with young people and families. I was escorted to the balcony level. There, I surveyed the number of people in attendance which must have been well over 1000 people of all races and nationalities.  I was delighted to see so many people of color and students witnessing this debate between Howard and Columbia Universities. 

The debaters from both schools were poised, articulate, intelligent, strategic and comfortable.  I was impressed with the performance and by the end of the afternoon, it was clear that both debate teams were winners.

This event did not garner headlines in the newspaper nor was it captured on television. But this “Harlemite” was pleased to be there and anxious to write about it.  It took place right here where I live and work.  It was a well needed respite from the daily barrage of bad news about our young people.

On another Saturday afternoon, after receiving a call from my partner and “all things Harlem,” Jamal Joseph— I learned that Harry Belafonte was going to attend Impact Repertory Theatre’s weekly workshop at Columbia University’s Prentice Hall.  This workshop is attended by 40-50 young people from the Harlem community and beyond who come to perform, participate in workshops, engage in leadership training and explore the creative arts.  Jamal and I co-founded this youth program fifteen years ago.  It combines training in the spoken word, musical theater, dance, poetry and song-writing with youth leadership development and “art-ivism” –which means using art and activism to change the world. 

I watched Mr. Belafonte witness our work with great pride.  This “icon” came out to see how we teach art as a vehicle to empower disadvantaged youth by passing on the knowledge, skills and tools needed to build self-esteem and bring about personal and social change. 

At the end of the workshop, Mr. Belafonte spoke.  He talked about how remarkable our young people were and extended his stay with us for more than two hours!  For a person of Harry Belafonte’s status and commitment to social change, coupled with his activism to spend so much time with us, well— we were all blessed to be in his presence. 

After Mr. Belafonte left, our young people reaffirmed their commitment to our mission.  Each one stepped up and further embraced the concept of being better citizens and role models for their family, friends and community.  It was a touching moment for us all.

There are great things happening in Harlem and beyond, great things that involve children of color, many of whom start life with very little but who demonstrate the courage, determination and will power to keep going.  They are working hard to make a difference. 

I am convinced that we all must bear witness to these “acts of valor” and share our stories widely. Only in this way can we combat the negative images we get from the media and find joy and satisfaction daily.

This was a wonderful two weekends in Harlem and there is more to come.

Black History Month

Encouraged by my daughter to use social media to share with colleagues and the younger generation Harlem’s vast culture and issues, as a long time Harlem resident, I've created this blog. My goal is to communicate my experiences and activities involving the various organizations I am actively committed to, who continue to make contributions to Harlem, New York City and beyond.  And it's certainly no coincidence that I am launching this new space during Black History month!

As I get older, I am more convinced of the value and power of sharing our history across generations. We see new folks come into the scene every day and we work hard to recognize & build upon similar hopes and dreams. It is true that the culture and landscape of Harlem has evolved with the times but so much remains the same. Maybe this is why I am doing this--to keep the links to our past alive.  

I want to use this space to share and reflect on my experiences about myself and the relationship I have built around historic organizations in Harlem, like the New Heritage Theatre Group (49 years), the Harlem Arts Alliance (11 years), IMPACT Repertory Theatre (15 years) and the Greater Harlem Chamber of Commerce, one of the oldest Chambers in New York City (116 years).

I also want this space to be an ongoing conversation, so I encourage you to comment and share!

A number of my colleagues in Black Theater and entertainment who are also using culture to break down barriers of misunderstanding celebrated black history month with an eclectic group of presentations that addressed pertinent issues about the African American community.

Harry Belafonte, Gina Belafonte and the National Black Theatre presented “Lyrics From Lockdown” featuring an outstanding African American actor Byronn Bain, who was mistakenly incarcerated and brilliantly shares that ordeal through spoken word, poetry, music, and multi-media presentation

At the Dwyer Cultural Center, Woodie King Jr’s National Black Touring Circuit teamed with New Heritage Theatre to present by popular demand a story about the iconic first black congressman from Harlem, Adam Clayton Powell, Jr., brilliantly portrayed by Timothy Simonson and directed by the award winning Shauneille Perry.

The Apollo Theatre launched its Apollo Club Harlem written and conceived by their Executive producer Mikki Shepard and superbly directed and choreographed by Maurice Hines with an array of talented performances that harkens back to the 1930 and 40’s in Harlem, when the nightclubs were elegant and showcased by the best of African-American talent.

And this is just what I attended over two weekends in my beloved community.  I was exposed to a journey through Harlem as presented by these groups that addressed intergenerational, multi-ethnic and multi-cultural audiences-- each presentation brilliantly highlighted the rich history and culture of the village of Harlem. 

I loved it. And I was proud to be a part of it.